Rocket Boys Page 2

  When we ambushed some older boys—my brother, Jim, among them—who were playing cowboys up in the mountains, a great mock battle ensued until Tony, up in a tree for a better line of sight, stepped on a rotted branch and fell and broke his arm. I organized the construction of a litter out of branches, and we bore the great warrior home. The company doctor, “Doc” Lassiter, drove to Tony’s house in his ancient Packard and came inside. When he caught sight of us still in our feathers and war paint, Doc said he was the “heap big medicine man.” Doc set Tony’s arm and put it in a cast. I remember still what I wrote on it: Tony—next time pick a better tree. Tony’s Italian-immigrant father was killed in the mine that same year. He and his mother left and we never heard from them again. This did not seem unusual to me: A Coalwood family required a father, one who worked for the company. The company and Coalwood were one and the same.

  I learned most of what I knew about Coalwood history and my parents’ early years at the kitchen table after the supper dishes were cleared. That was when Mom had herself a cup of coffee and Dad a glass of milk, and if they weren’t arguing about one thing or the other, they would talk about the town and the people in it, what was going on at the mine, what had been said at the last Women’s Club meeting, and, sometimes, little stories about how things used to be. Brother Jim usually got bored and asked to be excused, but I always stayed, fascinated by their tales.

  Mr. George L. Carter, the founder of Coalwood, came in on the back of a mule in 1887, finding nothing but wilderness and, after he dug a little, one of the richest seams of bituminous coal in the world. Seeking his fortune, Mr. Carter bought the land from its absentee owners and began construction of a mine. He also built houses, school buildings, churches, a company store, a bakery, and an icehouse. He hired a doctor and a dentist and provided their services to his miners and their families for free. As the years passed and his coal company prospered, Mr. Carter had concrete sidewalks poured, the streets paved, and the town fenced to keep cows from roaming the streets. Mr. Carter wanted his miners to have a decent place to live. But in return, he asked for a decent day’s work. Coalwood was, after all, a place for work above all else: hard, bruising, filthy, and sometimes deadly work.

  When Mr. Carter’s son came home from World War I, he brought with him his army commander, a Stanford University graduate of great engineering and social brilliance named William Laird, who everyone in town called, with the greatest respect and deference, the Captain. The Captain, a big, expansive man who stood nearly six and a half feet tall, saw Coalwood as a laboratory for his ideas, a place where the company could bring peace, prosperity, and tranquillity to its citizens. From the moment Mr. Carter hired him and placed him in charge of operations, the Captain began to implement the latest in mining technology. Shafts were sunk for ventilation, and as soon as it was practical, the mules used to haul out the coal from the mine were replaced by electric motors. Later, the Captain stopped all the hand digging and brought in giant machines, called continuous miners, to tear the coal from its seams. The Captain expanded Mr. Carter’s building program, providing every Coalwood miner a house with indoor plumbing, a Warm Morning stove in the living room, and a coal box the company kept full. For the town’s water supply, be tapped into a pristine ancient lake that lay a thousand feet below. He built parks on both ends of the town and funded the Boy Scouts, Girl Scouts, Brownies, Cub Scouts, and the Women’s Club. He stocked the Coalwood school library and built a school playground and a football field. Because the mountains interfered with reception, in 1954 he erected an antenna on a high ridge and provided one of the first cable television systems in the United States as a free service.

  Although it wasn’t perfect, and there was always tension between the miners and the company, mostly about pay, Coalwood was, for a time, spared much of the violence, poverty, and pain of the other towns in southern West Virginia. I remember sitting on the stairs in the dark listening to my father’s father—my Poppy—talk to Dad in our living room about “bloody Mingo,” a county just up the road from us. Poppy had worked there for a time until a war broke out between union miners and company “detectives.” Dozens of people were killed and hundreds were wounded in pitched battles with machine guns, pistols, and rifles. To get away from the violence, Poppy moved his family first to Harlan County, Kentucky, and then, when battles erupted there, to McDowell County, where he went to work in the Gary mine. It was an improvement, but Gary was still a place of strikes and lockouts and the occasional bloody head.

  In 1934, when he was twenty-two years old, my father applied for work as a common miner with Mr. Carter’s company. He came because he had heard that a man could make a good life for himself in Coalwood. Almost immediately, the Captain saw something in the skinny, hungry lad from Gary—some spark of raw intelligence, perhaps—and took him as a protégé. After a couple of years, the Captain raised Dad to section foreman, taught him how to lead men and operate and ventilate a mine, and instilled in him a vision of the town.

  After Dad became a foreman, he convinced his father to quit the Gary mine and move to Coalwood, where there was no union and a man could work. He also wrote Elsie Lavender, a Gary High School classmate who had moved on her own to Florida, to come back to West Virginia and marry him. She refused. Whenever the story was told, Mom took over at this point and said the letter she next received was from the Captain, who told her how much Dad loved her and needed her, and would she please stop being so stubborn down there in the palm trees and come to Coalwood and marry the boy? She agreed to come to Coalwood to visit, and one night at the movies in Welch, when Dad asked her to marry him again, she said if he had a Brown Mule chewing tobacco wrapper in his pocket, she’d do it. He had one and she said yes. It was a decision that I believed she often regretted, but still would not have changed.

  Poppy worked in the Coalwood mine until 1943, when a runaway mine car cut off both his legs at the hip. He spent the rest of his life in a chair. My mother said that after the accident, Poppy was in continuous pain. To take his mind off it, he read nearly every book in the County Library in Welch. Mom said when she and Dad visited him, Poppy would be hurting so much he could hardly talk, and Dad would agonize over it for days afterward. Finally, a doctor prescribed paregoric, and as long as he had a continuous supply, Poppy found some peace. Dad saw that Poppy had all the paregoric he wanted. Mom said after the paregoric, Poppy never read another book.

  Because he was so dedicated to the Captain and the company, I saw little of my father while I was growing up. He was always at the mine, or sleeping prior to going to the mine, or resting after getting back. In 1950, when he was thirty-eight years old, he developed cancer of the colon. At the time, he was working double shifts, leading a section deep inside the mine charged with cutting through a massive rock header. Behind the dense sandstone of the header, the Captain believed, was a vast, undiscovered coal seam. Nothing was more important to my father than to get through the header and prove the Captain right. After months of ignoring the bloody symptoms of his cancer, Dad finally passed out in the mine. His men had to carry him out. It was the Captain, not my mother, who rode with him in the ambulance to the hospital in Welch. There the doctors gave him little chance for survival. While Mom waited in the Stevens Clinic waiting room, the Captain was allowed to watch the operation. After a long piece of his intestine was removed, Dad confounded everybody by going back to work in a month. Another month later, drenched in rock dust and sweat, his section punched through the header into the softest, blackest, purest coal anyone had ever seen. There was no celebration. Dad came home, showered and scrubbed himself clean, and went to bed for two days. Then he got up and went back to work again.

  There were at least a few times the family was all together. When I was little, Saturday nights were reserved for us to journey over to the county seat of Welch, seven miles and a mountain away from Coalwood. Welch was a bustling little commercial town set down by the Tug Fork River, its tilted streets filled with throngs of
miners and their families come to shop. Women went from store to store with children in their arms or hanging from their hands, while their men, often still in mine coveralls and helmets, lagged behind to talk about mining and high-school football with their fellows. While Mom and Dad visited the stores, Jim and I were deposited at the Pocahontas Theater to watch cowboy movies and adventure serials with hundreds of other miners’ kids. Jim would never talk to any of the others, but I always did, finding out where the boy or girl who sat next to me was from. It always seemed exciting to me when I met somebody from exotic places like Keystone or Iaeger, mining towns on the other side of the county. By the time I had visited and then watched a serial and a double feature and then been retrieved by my parents to walk around Welch to finish up Mom’s shopping, I was exhausted. I almost always fell sound asleep on the ride home in the backseat of the car. When we got back to Coalwood, Dad would lift me over his shoulder and carry me to bed. Sometimes even when I wasn’t asleep I pretended to be, just to know his touch.

  Shift changes in Coalwood were daily major events. Before each shift began, the miners going to work came out of their houses and headed toward the tipple. The miners coming off-shift, black with coal dirt and sweat, formed another line going in the opposite direction. Every Monday through Friday, the lines formed and met at intersections until hundreds of miners filled our streets. In their coveralls and helmets, they reminded me of newsreels I’d seen of soldiers slogging off to the front.

  Like everybody else in Coalwood, I lived according to the rhythms set by the shifts. I was awakened in the morning by the tromp of feet and the clunking of lunch buckets outside as the day shift went to work, I ate supper after Dad saw the evening shift down the shaft, and I went to sleep to the ringing of a hammer on steel and the dry hiss of an arc welder at the little tipple machine shop during the hoot-owl shift. Sometimes, when we boys were still in grade school and tired of playing in the mountains, or dodgeball by the old garages, or straight base in the tiny clearing behind my house, we would pretend to be miners ourselves and join the men in their trek to the tipple. We stood apart in a knot and watched them strap on their lamps and gather their tools, and then a bell would ring, a warning to get in the cage. After they were swallowed by the earth, everything became eerily quiet. It was an unsettling moment, and we boys were always glad to get back to our games, yelling and brawling a little louder than necessary to shatter the spell cast on us by the tipple.

  Coalwood was surrounded by forests and mountains dotted with caves and cliffs and gas wells and fire towers and abandoned mines just waiting to be discovered and rediscovered by me and the boys and girls I grew up with. Although our mothers forbade it, we also played around the railroad tracks. Every so often, somebody would come up with the idea of putting a penny on the track and getting it run over by the coal cars to make a big flat medal. We’d all do it then until we had used up our meager supply. Stifling our laughter, we’d hand the crushed coppers across the counter at the company store for candy. The clerk, having seen this many times over the years, usually accepted our tender without comment. They probably had a stack of flat pennies somewhere in the company-store offices, collected over the decades.

  For a satisfying noise, nothing beat going up on the Coalwood School bridge and throwing pop bottles into the empty coal cars rolling in to the tipple. When the coal cars were full and stopped beneath the bridge, some of the braver boys would even leap into them, plunging waist-deep into the loose coal. I tried it once and barely escaped when the train suddenly pulled out, bound for Ohio. I wallowed through the coal and climbed down the outside ladder of the car and jumped for it, skinning my hands, knees, and elbows on the packed coal around the track. My mother took no pity on me and scrubbed the coal dirt off me with a stiff brush and Lava soap. My skin felt raw for a week.

  When I wasn’t outside playing, I spent hours happily reading. I loved to read, probably the result of the unique education I received from the Coalwood School teachers known as the “Great Six,” a corruption of the phrase “grades one through six.” For years, these same six teachers had seen through their classrooms generations of Coalwood students. Although Mr. Likens, the Coalwood School principal, controlled the junior high school with a firm hand, the Great Six held sway in the grades below. It seemed to be very important to these teachers that I read. By the second grade, I was intimately familiar with and capable of discussing in some detail Tom Sawyer and Uncle Tom’s Cabin. Huckleberry Finn they saved for me until the third grade, tantalizingly holding it back as if it contained the very secrets of life. When I was finally allowed to read it, I very well knew this was no simple tale of rafting down a river but the everlasting story of America itself, with all our glory and shame.

  Bookcases filled with complete sets of Tom Swift, The Bobbsey Twins, The Hardy Boys, and Nancy Drew were in the grade-school hallway and available to any student for the asking. I devoured them, savoring the adventures they brought to me. When I was in the fourth grade, I started going upstairs to the junior high school library to check out the Black Stallion series. There, I also discovered Jules Verne. I fell in love with his books, filled as they were with not only great adventures but scientists and engineers who considered the acquisition of knowledge to be the greatest pursuit of mankind. When I finished all the Verne books in the library, I became the first in line for any book that arrived written by modern science-fiction writers such as Heinlein, Asimov, van Vogt, Clarke, and Bradbury. I liked them all unless they branched out into fantasy. I didn’t care to read about heroes who could read minds or walk through walls or do magic. The heroes I liked had courage and knew more real stuff than those who opposed them. When the Great Six inspected my library record and found it top-heavy with adventure and science fiction, they prescribed appropriate doses of Steinbeck, Faulkner, and F. Scott Fitzgerald. It seemed as if all through grade school, I was reading two books, one for me and one for my teachers.

  For all the knowledge and pleasure they gave me, the books I read in childhood did not allow me to see myself past Coalwood. Almost all the grown-up Coalwood boys I knew had either joined the military services or gone to work in the mine. I had no idea what the future held in store for me. The only thing I knew for sure was my mother did not see me going into the mine. One time after Dad tossed her his check, I heard her tell him, “Whatever you make, Homer, it isn’t enough.”

  He replied, “It keeps a roof over your head.”

  She looked at the check and then folded it and put it in her apron pocket. “If you’d stop working in that hole,” she said, “I’d live under a tree.”

  After Mr. Carter sold out, the company was renamed Olga Coal Company. Mom always called it “Miss Olga.” If anybody asked her where Dad was, she’d say, “With Miss Olga.” She made it sound as if it was his mistress.

  Mom’s family did not share her aversion to coal mining. All of her four brothers—Robert, Ken, Charlie, and Joe—were miners, and her sister, Mary, was the wife of a miner. Despite their father’s hideous accident, my father’s two brothers were also miners; Clarence worked in the Caretta mine across the mountain from Coalwood, and Emmett in mines around the county. Dad’s sister, Bennie, married a Coalwood miner and they lived down across the creek, near the big machine shops. But the fact that all of her family, and my father’s family, were miners did not impress my mother. She had her own opinion, formed perhaps by her independent nature or by her ability to see things as they really were, not as others, including herself, would wish them to be.

  In the morning before she began her ritual battle against the dust, my mother could nearly always be found with a cup of coffee at the kitchen table in front of an unfinished mural of a seashore. She had been working on the painting ever since Dad took over the mine and we moved into the Captain’s house. By the fall of 1957, she had painted in the sand and shells and much of the sky and a couple of seagulls. There was an indication of a palm tree going up too. It was as if she was painting herself anot
her reality. From her seat at the table, she could reflect on her roses and bird feeders through the picture window the company carpenters had installed for her. Per her specifications, it was angled so not a hint of the mine could be seen.

  I knew, even as a child, that my mother was different from just about everybody in Coalwood. When I was around three years old, we were visiting Poppy in his little house up Warriormine Hollow, and he took me on his lap. That scared me, because he didn’t have a lap, just an empty wrinkled blanket where his legs should have been. I struggled in his thick arms while Mom hovered nervously nearby. “He’s just like Homer,” I remember toothless Poppy lisping to Mom while I squirmed. He called to my dad on the other side of the room. “Homer, he’s just like you!”

  Mom anxiously took me from Poppy and I clutched hard to her shoulder, my heart beating wildly from an unidentified terror. She carried me out onto the front porch, stroking my hair and hushing me. “No, you’re not,” she crooned just loud enough so only she and I could hear. “No, you’re not.”